{"title":"New This Week: November 2-8","description":null,"products":[{"product_id":"adagietto-smooth-relaxing-classical-adagietto-smooth-relaxing-classical-lp-pre-order","title":"Adagietto - Smooth \u0026 Relaxing Classical - Adagietto - Smooth \u0026 Relaxing Classical [LP] [PRE-ORDER]","description":"\u003cp\u003eThis compilation is an exquisite curation of classical music's most introspective and soul-stirring moments. Designed for the listener who seeks a sanctuary in sound, the tracklist moves seamlessly from the sweeping, cinematic melancholy of Mahler and John Williams to the delicate, crystalline precision of Bach and Debussy. Opening with the hauntingly beautiful Adagietto from Mahler's 5th Symphony - famous for it's use in the soundtrack of the film Death in Venice -, Side A sets a tone of profound reflection. The journey continues through the iconic, weeping violin of the Schindler's List theme, and the tender ache of Fauré's Après un rêve, offering a rich, orchestral embrace. The flip side transitions into a more intimate, nocturnal space. From the timeless, moonlight-drenched keys of Debussy to the shimmering textures of Saint-Saëns' Aquarium, Side B focuses on the soloists. The album closes with Beethoven's \"Pathétique\" Sonata.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: II. Andante\u003c\/li\u003e\n\u003cli\u003eMain Theme (From \"Schindler's List\")\u003c\/li\u003e\n\u003cli\u003e3 Mélodies, Op. 7: No. 1, Après un rêve (Orch. Büsser)\u003c\/li\u003e\n\u003cli\u003eSuite bergamasque, CD 82, L. 75: III. 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Using old Casiotones and karaoke machines, the pair create a lo-fi home-recording sound that seems to draw out lyricism sunk deep within memory. From their cassette mini-album RYOKAN, released last year, 'Umi' and 'Dubmi' have now been selected for a 7\" release. 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In line with Borghesia's unique social engagement, progressiveness and political criticism, Resistance is one of their most powerful statements. It's the ultimate fight the power manifesto, which makes punk and hip-hop albums of the time sound like children's songs. Released during the last stages of socialist Yugoslavia, and in the last sighs of the original Borghesia line-up, the album's sole sonic character anticipated the oncoming atrocities of the civil wars in the region. This is not music for nodding your head to; it's tactical broadcast for the nocturnal resistance to this very day. Borghesia didn't address control only - they sampled the political top, the secret police and explicitly connected authority with dominance. They offer the tendency for liberation as the only appropriate exit. The production of the album isn't clean or polished. On the contrary - Resistance sounds like it was created in a bunker, using stolen military equipment and synthesisers. Borghesia's genius lies in their understanding that the relentless, mechanical EBM beat was the sound of the State - and by hijacking it, turning the system's own rhythm against itself they created the most powerful form of sonic insurgency. And since history repeats itself while the little man learns slowly, the re-release of 'Resistance' comes at the right time. The dark clouds of violence are already looming over Europe, they've never really left the Middle East, and the levers of power and capital ever so louder, not even covertly at all incite: war, war, war! In these times the only appropriate answer is: revolt, rebel, Resistance! 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